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Round Four of the Premiership season starts on Friday when Harlequins host Bristol at the Stoop in what should be an entertaining game. Sale Sharks director of rugby Alex Sanderson believes another serious injury to England centre Manu Tuilagi could bring his career to an end. World Rugby have announced plans to ban kit clashes in time for the World Cup to help players and fans affected by colour-blindness. On this day in , Premiership club Wasps received the go-ahead for a multi-million pound takeover of the Coventry Building Society Arena.
New Zealand great Buck Shelford has discussed the captaincy issue, stating Sam Cane may not stay fit enough to take the role long-term. Connacht boss Andy Friend has responded to the comments made by Bulls coach Jake White, which were said prior to their clash on Friday. Quade Cooper has denied that he will play for the Barbarians against Samoa on November 27, after the Baa-baas announced his selection. Leinster have announced they have appointed ex-Munster and Ireland back-row Denis Leamy to their backroom staff as contact skills coach.
Notification msg. The appeal of watching people inflict violence upon each other dates back thousands of years to Ancient Rome ,  though fictionalized accounts became marketable with late 19th century horror plays produced at the Grand Guignol.
In the United States, public outcry over films like this eventually led to the passage of the Hays Code in Crime writer Mary Roberts Rinehart influenced horror literature with her novel The Circular Staircase ,  adapted into the silent film The Bat , about guests in a remote mansion menaced by a killer in a grotesque mask.
Along with the "madman on the loose" plotline, these films employed several influences upon the slasher genre, such as lengthy point of view shots and a "sins of the father" catalyst to propel the plot's mayhem. George Archainbaud 's Thirteen Women tells the story of a sorority whose former members are set against one another by a vengeful peer who crosses out their yearbook photos, a device used in subsequent films Prom Night and Graduation Day B-movie mogul Val Lewton produced The Leopard Man , about a murderer framing his crimes against women on an escaped show leopard.
The Spiral Staircase also features an early use of jump scares. British writer Agatha Christie 's particularly influential novel Ten Little Indians adapted in as And Then There Were None , centers on a group of people with secret pasts who are killed one-by-one on an isolated island. Each of the murders mirrors a verse from a nursery rhyme , merging the themes of childhood innocence and vengeful murder. Alfred Hitchcock 's Psycho used visuals that had been deemed unacceptable by movie studios, including scenes of violence, sexuality, and even the shot of a toilet flushing.
The film featured an iconic score by Bernard Herrmann that has been frequently imitated in slasher and horror films. Francis Ford Coppola 's debut, Dementia 13 , takes place in an Irish castle where relatives gather to commemorate a family death but are murdered one-by-one. Subgenres that influenced slasher films include splatter films , Krimi films, and giallo films.
Splatter films focus on gratuitous gore. Herschell Gordon Lewis 's Blood Feast was a hit at drive-in theaters and is often considered the first splatter film. The Rialto Studio produced 32 Krimi films between and Italy's giallo thrillers are crime procedurals or murder mysteries interlaced with eroticism and psychological horror.
Torso 's edge-of-your-seat climax finds a "final girl" facing off with the killer in an isolated villa. The early s saw an increase in exploitation films that lured audiences to grindhouses and drive-ins by advertising of sex and violence. Robert Fuest 's And Soon the Darkness set off the '70s exploitation wave by maximizing its small budget and taking place in daylight. The Jekyll and Hyde Portfolio follows an insane killer who stalks and murders victims at a nursing academy.
By the exploitation film battled political correctness and their popularity waned, and while films like The Love Butcher and The Redeemer: Son of Satan were accused of promoting bigotry , the low-budget independent film The Texas Chain Saw Massacre became a major hit and the most commercially successful horror film since The Exorcist.
The story concerns a violent clash of cultures and ideals between the counter-culture and traditional conservative values, with the film's squealing antagonist Leatherface carrying a chainsaw and wearing the faces of victims he and his family eat.
The Texas Chain Saw Massacre spawned imitators and its false "based on a true story" advertisements gave way to reenactments of true crime. The Hills Have Eyes was another huge financial success, relaunching Craven's career after it had been damaged by controversy surrounding his previous film, The Last House on the Left Following holiday-themed exploitation films Home for the Holidays , All Through the House and Silent Night, Bloody Night , Black Christmas uses horror as a board to debate social topics of its time, including feminism , abortion, and alcoholism.
Using the "killer calling from inside the house " gimmick , Black Christmas is visually and thematically a precursor to John Carpenter 's Halloween , as young women are terrorized in a previously safe environment during an iconic holiday.
Like Halloween , Clark's film opens with a lengthy point-of-view , but it differs in the treatment of the killer's identity.
Despite its modest initial box office run, the film has garnered critical reappraisal, with film historians noting its importance in the horror film genre and some even citing it as the original slasher film. Jumpstarted by the massive success of John Carpenter 's Halloween , the era commonly cited as the Golden Age of slasher films is —, with some scholars citing over similar films released over the six-year period.
Golden Age slasher films exploited dangers lurking in American institutions such as high schools, colleges, summer camps, and hospitals. Cashing in on the drive-in success of The Texas Chain Saw Massacre , The Toolbox Murders was quickly and cheaply shot but did not generate the interest of the former films. To minimize costs, locations were reduced and time took place over a brief period. Sam Loomis , an homage to John Gavin 's character in Psycho. Carpenter denies writing sexually active teens to be victims in favor of a virginal " final girl " survivor, though subsequent filmmakers copied what appeared to be a "sex-equals-death" mantra.
When shown an early cut of Halloween without a musical score, all major American studios declined to distribute it, one executive even remarking that it was not scary. Carpenter added music himself, and the film was distributed locally in four Kansas City theaters through Akkad's Compass International Pictures in October Word-of-mouth made the movie a sleeper hit that was selected to screen at the November Chicago Film Festival, where the country's major critics acclaimed it.
Though the telekinesis slasher Tourist Trap was initially unsuccessful, it has undergone a reappraisal by fans. Its success has largely been credited to its opening scene, in which a babysitter Carol Kane is taunted by a caller who repeatedly asks, "Have you checked the children?
The election of Ronald Reagan as the 40th President of the United States drew in a new age of conservatism that ushered concern of rising violence on film. Sean S. Siskel, in his Chicago Tribune review, revealed the identity and fate of the film's killer in an attempt to hurt its box office, and provided the address of the chairman of Paramount Pictures for viewers to complain. The criticisms that began with Friday the 13th would lead to the genre's eventual decline in subsequent years.
Cruising drew protests from gay rights groups, and though it pre-dates the AIDS crisis , the film's portrayal of the gay community fueled subsequent backlash once the virus became an epidemic.
Maniac was maligned by critics. Vincent Canby of The New York Times said that watching the film was like "watching someone else throw up. Joe D'Amato 's gruesome Italian horror film Antropophagus and the Australian slasher Nightmares showed that the genre was spreading internationally.
Slasher films reached a saturation point in , as heavily promoted movies like My Bloody Valentine and The Burning were box office failures. The film became the subject of intense scrutiny in the wake of John Lennon's murder , and was released heavily edited; lacking the draw of gore, My Bloody Valentine barely sold 2 million tickets in North America, much less than the 15 million sold by Friday the 13th the year beforehand. Profits of Halloween and Friday the 13th drew studio interest, to varying success.
Warner Bros. Friday the 13th Part 2 sold 7. Both sequels sold around half of their original film's tickets, though they were still very popular Halloween II was the second highest-grossing horror film of the year behind An American Werewolf in London.
Straight-to-video productions cut costs to maximize profit. The independent horror film Madman opened in New York City's top 10, according to Variety , but soon fell out of theaters for a much healthier life on home video. Girls Nite Out had a very limited release in but was re-released in in more theaters until finally finding a home on VHS.
Films such as Hospital massacre and Night Warning enjoyed strong home rentals from video stores , though Dark Sanity , The Forest , Unhinged , Trick or Treats , and Island of Blood fell into obscurity with little theatrical releases and only sub-par video transfers.
Alone in the Dark was New Line Cinema 's first feature film, released to little revenue and initially dismissed by critics, though the film has gained critical reappraisal. Director Amy Holden Jones and writer Rita Mae Brown gender-swapped to showcase exploitative violence against men in The Slumber Party Massacre ,  while Visiting Hours pitted liberal feminism against macho right-wing bigotry with exploitative results.
Friday the 13th Part III , the first slasher trilogy, was an enormous success, selling 12 million tickets and dethroning E. Traditional slasher films saw less frequent output. The House on Sorority Row followed the same general plot as Prom Night with guilty teens stalked and punished for a terrible secret.
Sleepaway Camp featured homosexual scenes, which were taboo at the time. In Canada, whodunit Curtains had a brief theatrical life before finding new life on VHS, while criticism toward American Nightmare ' s portrayal of prostitutes, drug addicts , and pornography addicts hurt its video rentals. The poster for Mortuary features a hand is bursting from the grave, though the undead have nothing to do with the film. Distributors were aware of fading box office profits, and they were attempting to hoodwink audiences into thinking long-shelved releases like Mortuary were different.
The public had largely lost interest in theatrical released slashers, drawing a close to the Golden Age. Many slasher films with brief theatrical runs found varying degrees of success on home video, such as Splatter University , Satan's Blade , Blood Theatre , Rocktober Blood and Fatal Games. Movies like The Prey and Evil Judgement were filmed years prior and finally were given small theatrical releases.
Friday the 13th: The Final Chapter brought the saga of Jason Voorhees to a close, with his demise the main marketing tool. It worked, with The Final Chapter selling 10 million tickets in North America, hinting the series would continue even if Jason's demise marked a shift in the genre. Soon widespread outrage led to the film's removal, with only , tickets sold.
As interest in the Golden Age slasher waned, Wes Craven 's A Nightmare on Elm Street revitalized the genre by mixing fantasy and the supernatural in a cost-effective way. Craven had toyed with slasher films before in Deadly Blessing , though he was frustrated that the genre he had helped create with The Last House on the Left and The Hills Have Eyes had not benefited him financially. Developing A Nightmare on Elm Street since , Craven recognized time running out due to declining revenues from theatrical slasher film releases.
Despite A Nightmare on Elm Street 's success, fatigue hit the slasher genre, and its popularity had declined substantially. The home video revolution, fueled by the popularity of VHS , provided a new outlet for low-budget filmmaking. Without major studio backing for theatrical release, slasher films became second only to pornography in the home video market.
The drop in budgets to accommodate a more economic approach was usually met with a decline in quality. Mirroring the punk rock movement, novice filmmakers proved anyone could make a movie on home video, resulting in shot-on-video slashers Blood Cult , The Ripper , Spine , Truth or Dare? Distinguished by overtly homoerotic undertones, Freddy's Revenge became the highest grossing horror film of and inspired "dream" slashes Dreamaniac , Bad Dreams , Deadly Dreams , and Dream Demon Paramount Pictures released the parody April Fool's Day with hopes to start a sister series to its Friday the 13th property, though the film's modest box office run never led to a series.
The home video market made stars out of character actors such as Terry O'Quinn and Bruce Campbell , whose respective independent horror-thrillers The Stepfather and Maniac Cop found more support on home video than in theaters. The personality-driven appeal of Freddy Krueger was not lost on filmmakers, as characters like Chucky and Candyman were given ample dialogue and placed in urban settings that had largely been ignored by the Golden Age.
Chucky's Child's Play and its sequel sold over Both series fell out rather quickly, when Child's Play 3 selling only 3. Internationally, the slasher film remained profitable.
Due to the declining ticket sales, rights to the Friday the 13th and Halloween series were sold to New Line Cinema and Miramax Films , respectively. Now owning both the Jason Voorhees and Freddy Krueger characters, New Line would look into a series-crossover event film. Halloween: The Curse of Michael Myers was released under Miramax's Dimension Films banner to negative fan reaction and a weak box office.
Wes Craven 's New Nightmare used characters from his original Elm Street film in self-referential and ironic ways, as the actors played versions of their true personas targeted by a Freddy Krueger-inspired demon. New Nightmare sold 2. The slasher film's surprising resurrection came in the form of Scream , a box office smash and redefined the genre's rules.
Directed by Craven and written by Kevin Williamson , Scream juggled postmodern humor with visceral horror. The film played on nostalgia for the Golden Age, but appealed to a younger audience with contemporary young actors and popular music.
The marketing for Scream distanced itself from the slasher subgenre as it passed itself as a "new thriller" that showcased the celebrity of its stars, promoting the appearances of then-popular stars Drew Barrymore , Courteney Cox and Neve Campbell over its violence. Released less than a year after Scream to "critic proof" success, the film sold nearly 16 million tickets at the North American box office. Two months later Dimension Films released Scream 2 to the highest grossing opening weekend of any R-rated film at the time; the sequel sold 22 million tickets and was a critical hit.
Australia's postmodern Cut cast American actress Molly Ringwald as its heroine. Bollywood produced the first musical -slasher hybrid with Kucch To Hai , as well as the more straightforward Dhund: The Fog Scream 2 marked a high-point for interest in the s slasher film.
Urban Legend was a modest hit, selling 8 million tickets, though slasher sales were already starting to drop. Low-budget slasher films The Clown at Midnight and Cherry Falls had trouble competing with big-budget horror films that could afford then-bankable actors.
Scream 3 , the first entry in the Scream series not written by Kevin Williamson, was another huge success with Urban Legends: Final Cut sold a meager 4 million tickets, less than half of what its predecessor had sold just two years earlier.
The genre continued to fall apart with box office bombs Valentine and Jason X , as well as the critically maligned Halloween: Resurrection , a sequel that sold less than half its predecessor's tickets. New Line Cinema 's highly anticipated Freddy vs.
Jason , in development since , took note from Scream , and mixed nostalgia with recognizable actors. It sold a massive 14 million tickets at the domestic box office, acting as a symbolic love-letter to slasher films of the Golden Age. Films like Final Destination , Jeepers Creepers and American Psycho slasher film values in mainstream movies, but they deviated from the standard formula set forth by movies such as Halloween , A Nightmare on Elm Street and Scream The filmmakers behind Make a Wish and HellBent diversified their stories to appeal to their gay and lesbian audiences.
With 2. Filmmakers around the world tested the levels of on-screen violence an audience would accept. Musician-filmmaker Rob Zombie strove to bring the horror genre away from pop-culture and back to its exploitative roots in House of Corpses and The Devil's Rejects New French Extremity violence was influential in High Tension , Them , Inside , Frontier s and Martyrs , which became worldwide hits. In Asia, Taiwan released Invitation Only , Scared , and Slice , while South Korea 's released Bloody Reunion and Someone Behind You another extremely violent psychological supernatural slasher thriller based on a comic book "Two Will Come" and deals with the issue of family killings.
Wes Craven , one of the biggest names in horror for over three decades, directed box office disappointments My Soul to Take and Scream 4 , which sold only 1.
Evil and The Final Girls add thematic and emotional subtexts i. These small but noticeable changes would come to affect the genre in the coming decade. As s Scream -inspired slasher films dwindled in popularity, the remake of The Texas Chainsaw Massacre became a sleeper hit by playing on public's familiarity of the original but promising updated thrills and suspense.
The Texas Chainsaw Massacre remake sold over
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Sale Sharks director of rugby Alex Sanderson believes another serious injury to England centre Manu Tuilagi could bring his career to an end. World Rugby have announced plans to ban kit clashes in time for the World Cup to help players and fans affected by colour-blindness. On this day in , Premiership club Wasps received the go-ahead for a multi-million pound takeover of the Coventry Building Society Arena. New Zealand great Buck Shelford has discussed the captaincy issue, stating Sam Cane may not stay fit enough to take the role long-term.
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